Bill Evans was born in Plainfield, New Jersey on August 16, 1929 and began his music studies at age 6. Classically trained on piano; he also studied flute and violin as a child. He graduated Southeastern Louisiana University in 1950, and studied composition at Mannes College of Music in New York. After a stint in the Army, he worked in local dance bands, and with Tony Scott, singer Lucy Reed and guitarist Mundell Lowe, who brought the young pianist to the attention of producer Orrin Keepnews at Riverside Records . Evans first album was New Jazz Conceptions; in 1956, which featured the first recording of his most loved composition, "Waltz for Debby".It's follow-up, Everybody Digs Bill Evans was not recorded for another two years -- the always shy and self- deprecating pianist claiming he "had nothing new to say." He gradually got noticed in the NYC jazz scene, when in 1958 Miles Davis asked him to join his group (which also featured John Coltrane and Cannonball Adderley) where he stayed for nearly a year, touring and recording, and subsequently playing on the all-time classic Kind of Blue album -- as well as contributing the well known "Blue in Green" His work with Miles helped solidify Bill's reputation, and in 1959, Evans founded his most innovative trio with the legendary Scott LaFaro and drummer Paul Motian. They did two studio albums together in addition to the infamous 'live" sessions at NYC's Village Vanguard in 1961. LaFaro's tragic death in a car accident a few weeks after the Vanguard engagement -- an event which personally devastated Bill -- sent the pianist into seclusion for a time, after which he returned to the trio format later in 1962, with Motian again, and Chuck Israels on bass.

be-1940s.jpg ®His 1963 Conversations With Myself album , in which he double and triple-tracked his piano, won him the first of many Grammy awards and the following year he first toured overseas, playing to packed houses from Paris to Tokyo. The great bassist Eddie Gomez began a fruitful eleven year tenure with Bill in 1966, in various trios with drummers Marty Morrell, Philly Joe Jones, Jack DeJohnette and others -- contributing to some of the most acclaimed albums and performances in Evans's career. He also recorded many dates with some of the top names in jazz like Charles Mingus, Art Farmer, Stan Getz, Oliver Nelson, Jim Hall, George Russell, Shelley Manne, Lee Konitz, Toots Theielmans, Kenny Burrell, Kai Winding and J.J. Johnson, and others. In the mid-seventies, he recorded extensively, primarily trio and solo, but also including several quintet albums under his own name as well two memorable sessions with singer Tony Bennett.

His last trio was formed in 1978, featuring the incomparably sensitive Marc Johnson on bass and drummer Joe LaBarbera, which rejuvenated the often-ailing pianist, who was elated with his new line-up, calling it "the most closely related" to his first trio(with LaFaro and Motian). He suffered yet more family problems and upheavals in his personal life, (often due to bouts with a narcotics addiction) and yet brought a dynamic musical vitality, a sure confidence, fresh energy, brighter tempos and even more aggressive interplay to the trio's repertoire. Evans' health was deteriorating, however, though he insisted on working until he finally had to cancel midweek during an engagement at Fat Tuesday's in New York. He finally had to be taken to Mount Sinai Hospital on September 15, 1980, where he died from a bleeding ulcer, cirrhosis of the liver and bronchial pneumonia . He is buried next to his beloved brother Harry, in Baton Rouge, Louisiana.