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  • Home >> Gerry Mulligan & Chet Baker >> Carnegie Hall Concert


    Gerry Mulligan
    Chet Baker

    Carnegie Hall Concert



    Click on tracks to hear sound samples.

    1. Line For Lyons (8:17)
    2. For An Unfinished Woman (8:53)
    3. My Funny Valentine (8:38)
    4. Song For Strayhorn (9:35)
    5. It's Sandy At The Beach (9:10)
    6.Bernie's Tune (7:58)
    7. K-4 Pacific (11:44)
    8. There Will Never Be Another You (6:51)

    Gerry Mulligan, Baritone Sax
    Chet Baker, Trumpet
    Bob James, Piano, Electric Piano
    Ron Carter, Bass
    Harvey Mason, Drums
    John Scofield, Guitar
    Dave Samuels, Vibes, Percussion
    Ed Byrne, Trombone

    Produced by Creed Taylor

    Recorded at Carnegie Hall
    Dave Hewitt & John Venable, Engineer
    Remixed by Rudy Van Gelder
    Recorded November 24, 1974

    Catalog Number: ZK 40689
    Format: CD
    Label: CBS




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  • Producer's Note
    I find it amazing that Chet and Gerry's sympatico contrapuntal exuberance was not tarnished in the slightest by their 25-year separation which preceded this recording. There was no rehearsal for this concert. And, I don't think that Chet and Gerry had even spoken to each other during their time apart.
    – Creed Taylor
    Sheer Bliss
    This live recording is based on the live partnership of both Baker and Mulligan. The men themselves have not performed together on stage for over a decade. "My funny valentine" an old classic has such embedded emotional outburst as a result. I have not heard anything like it. If you are a fan to the number, this is a must buy. Definitely one of the best efforts from both musicians. Just hear it.
    – a music fan

    Carnegie Hall Concert
    The original famous Mulligan-Baker quartet consisting of the two horns plus bass and drums, but without piano, lasted for only a year (from late 1952 to late 1953). It was a huge sensation in its day, and still sounds completely fresh and engaging now. This 1974 recording is certainly interesting given that for over twenty years Mulligan and Baker had gone their separate ways. Both solo to great effect here, especially Mulligan, who had become more versatile and exuberant in the interim, though not necessarily "better" than in his early days. Baker also makes a strong emotional and articulate impact, and at its best this record is a "ball" - vibrantly alive, and played at a consistently high level by all involved. is plenty of great music to enjoy.
    – Joost Daalder


    At this 1974 concert baritonist Gerry Mulligan and trumpeter Chet Baker had one of their very rare reunions; it would be only the second and final time that they recorded together after Mulligan's original quartet broke up in 1953. Oddly enough a fairly contemporary rhythm section was used (keyboardist Bob James, vibraphonist Dave Samuels, bassist Ron Carter, drummer Harvey Mason and, in one of his first recordings, guitarist John Scofield. However some of the old magic was still there between the horns and, in addition to two of Mulligan's newer tunes, this set (the first of two volumes) also includes fresh versions of "Line for Lyons" and "My Funny Valentine."
    – Scott Yanow
     

    Chet at Carnegie


    Gerry Mulligan

    Photos by Chuck Stewart

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